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Wellesley town government meetings for the week of March 16, 2026

March 14, 2026 by admin Leave a Comment

A sampling of Wellesley, Mass., meetings and agenda items for the week of March 16, 2026:

Moderator’s meeting for Annual Town Meeting (March 19, 9am, town hall)

Open meeting(s) for Select Board and any other board(s) with a majority present; Moderator’s Introduction; Develop essential information for Annual Town Meeting Articles/Motions Maker(s) of Motion(s) Presenter(s) Time requested/allowed

Council on Aging Board (March 19, 4pm, Tolles Parsons Center, 500 Washington St.)

Chairs report: Board Member Appointments  Consultant for Strategic Plan  Wonderful Wellesley Weekend and Veterans Parade  Richard Campana Kitchen Dedication. Director search subcommittee update; Programming for Kitchen

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Music

Ronboy on opening for The National’s Matt Berninger—and barely leaving the stage

March 14, 2026 by Bob Brown Leave a Comment

RONBOY_DISASTER_COVERART_smallfile_WarrenFu
Ronboy (art by Warren Fu)

 
For those of you who might be hitting Matt Berninger’s concert at The Royale in Boston on March 23, don’t plan to slip in after the warm-up band performs just to focus on The National’s front man.

For one reason, Berninger and his mighty baritone will join opener Ronboy for a killer version of her song “Disaster” during the first set (Julia Laws, aka Ronboy, teases “It’s the first song…,” but she’s only playing). For another reason, Ronboy puts on a great show of her own before she and the band—Sterling Laws, Garrett Lang, Sean O’Brien—become Berninger’s ensemble for the rest of the night.

This is a case where the support act truly supports.

I chatted with Laws via Zoom as she and Berninger readied for a show in Edmonton as part of this tour that will take them across Canada and parts of the United States, before jetting to New Zealand and Europe. I’d first “met” Laws by seeing Ronboy and Berninger perform last May at Washington, D.C.’s Lincoln Theatre on the first leg of their tour promoting Berninger’s solo “Get Sunk” album, on which Ronboy guests… she recalls the D.C. show well in part because her fuzz pedal broke during sound check and she had to run out and get a new one before the concert (“the fuzz is like everything about my tone…”).

Ronboy_Matt Berninger_photogGrahamMacIndoe
Matt Berninger and Ronboy (photo credit: Graham MacIndoe)

 
First, let’s solve this “Ronboy” name mystery, which Laws assures is no top secret. The name comes from a blind and bullied sea lion with “gorgeous, piercing, blue cloudy eyes” that her dad befriended and used to tell Laws and her siblings about as a bedtime story, when he was studying marine biology. The animal’s name  stuck with Laws, and she says “Ronboy” just fits her music persona, a harsh/soft juxtaposition.

LA-based Ronboy made a name for herself with Berninger after he heard an EP she’d put out and one thing led to another, including the current tour. Laws says she was something of a closeted artist at the start, working on stuff alone, until she started playing shows and releasing music not long before the pandemic. “I’d been holding things way too precious,” she says, though also was honing what she wanted Ronboy to be.

“It’s been kind of really cool interweaving my own career into working with other people,” says Laws, who has also toured with Jade Bird (including in Boston) and gotten to pinch hit on bass with Idles. “I wouldn’t have it another way.”

Touring with Berninger has introduced Laws to unforgettable opportunities, from appearing on late night TV shows like “The Tonight Show with Jimmy Kimmel” to getting Bob’s Burger-ized.

Asked why she thinks Ronboy’s musical talents sync well with those of Berninger, Laws says “we’re both willing to explore and push and make things seem not what they are. We also have this appreciation for a good song.”

She adds that Berninger’s fans are the best—fun to chat with live and engaged online, not to mention generous merch buyers. “We’re besties now,” Laws says.

Looking up to Berninger as a songwriter and lyricist, Laws finds it hard to compare herself with him. Laws acknowledges that she and Berninger are very different in some ways, with Berninger and The National loading their songs with lyrics, whereas Ronboy’s songs are sparer and more repetitive. Like Berninger, Laws likes to be aloof enough in her material that people can fill in the blanks to make sense of the lyrics and music.

Performing live, Ronboy exudes energy, whether on keys and synth, bass guitar, or letting loose with just the mic. Her sound has become deeper and grittier as the tour has gone on.

Laws’ first instruments were keys and synth, but as a front person in a band, she felt her movement on stage severely limited, so has really embraced her “dream bass”—a black-on-black custom Fender model with a Precision body, J neck and chrome pickups that she says “just shatters everything.”

Playing multiple instruments has also made Laws a more versatile option for other bands.

“I like the movement. I like not knowing what’s coming next,” she says. “You get to interact with the crowd differently.”

Laws has been rolling out songs that she has been playing on tour, and plans to release a five-song EP this summer dubbed “Get Rich.” Next month she’ll be doing a video that she promises will be “a little spooky, a little unhinged.”

Among the new songs is “I Am Only Playing,” a mix of her perspective and someone else’s, with a sarcastic twist. “It’s like ‘I’m only playing with you,’ though that’s not how I feel at all,” Laws says. When she started writing it, the song had a chugging, swirling baseline, then was redone as a piano ballad, and then reworked again for the full band. The end result is a stripped down beginning, with a banger of a payoff.

“It’s a swirling vortex, you can feel something coming the whole song,” she says. “All hell breaks loose and it feels so good.”

And concertgoers, you don’t want to miss that.

@ronboymusic I’m putting out a new song on called “Disaster.” One of my favorite artists is featured and we played it on tour through the states a couple months ago. Disaster (feat. Matt Berninger) Aug 15 #newmusic #indieartist #altmusic #altrock ♬ original sound – Ronboy


More “beyond Swellesley” music coverage:

  • Irish band Amble finds home away from home in Boston
  • TCAN preview: Alison Brown wants you to experience the ‘unique beauty of the banjo’
  • ‘Guitar fanatic’ James Mastro to make Natick debut opening for Marshall Crenshaw
  • Levitate Music Festival spotlight: Ripe rebounds to bring the funk
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Filed Under: Music

Fix it, don’t toss it—Rotary Club of Wellesley can help at the Repair Cafe

March 14, 2026 by admin Leave a Comment

Wellesley Rotary Club, Repair Cafe

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Filed Under: Environment

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Wellesley Select Board briefed on First Citizens Bank traffic study, addresses Tolles Parsons Center art policy

March 13, 2026 by Bob Brown Leave a Comment

The Wellesley Select Board on March 10 spent most of its roughly two-hour meeting on possible traffic implications of a new bank planned in lower falls at the former Taylor Rental site at 26 Washington St. (see Wellesley Media recording).

First Citizens Bank plans to tear down the existing structure and build a new two-story one that will mainly be used for commercial banking when it opens in a couple of years. Its redevelopment effort is considered a Project of Significant Impact (PSI) in town, and is going through a thorough town approvals process, including a PSI Special Permit public hearing at the Planning Board (see Wellesley Media recording of March 9 meeting).

As part of that process, the Select Board reviews plans for pedestrian and traffic safety, and makes recommendations to the Planning Board. At its March 10 meeting, the Select Board approved a peer review by Tighe & Bond of the bank’s own traffic assessment as being professionally conducted. During the meeting, First Citizens reps outlined their responses to that peer review.

Overall, the board was impressed with the thoroughness of First Citizens Bank’s transportation analysis, which took into account current and forecasted traffic volumes, intersection impacts, crash data, and more.

The board also complimented the proposed design of the building, which takes inspiration from existing Wellesley structures, including the Sprague Memorial Clock Tower at Elm Park and a nearby church. Among the other property changes: Consolidating two existing driveways to one.

first citizens

One area of confusion over the transportation analysis, and estimated new trips generated, resulted from First Citizens using Institute of Transportation Engineers data for drive-in banks (like retail ones) vs. walk-in banks, as this more business oriented office will be. As First Citizens and the peer reviewer explained, there’s limited industry standard data available for businesses like this to use. So the estimated 834 new daily trips presented by First Citizens is likely much higher than what will actually be. Plans are for the bank to operate 9am-5pm weekdays, and to be closed on weekends.

First Citizens reps acknowledged that stretch of Washington Street, in between Glen Road and River Street, gets congested, though claimed its project would have little impact on the current traffic situation.

The board also addressed the issue of being able to take left turns out of the future bank site, as the peer review had recommended considering this not being allowed. Board members spoke out against such a restriction, noting that left-hand turns, while challenging, are allowed for other businesses along the strip. So it wouldn’t be fair to saddle the bank with such a restriction.

Questions were also raised related to this project’s impact within the context of other possible developments in the area, but First Citizens reps said there isn’t enough in the way of actual plans for developments available to do that.

Tolles Parsons Center art displays

The Select Board meeting began with three citizens encouraging the board to allow the continued display of Wellesley resident and Council on Aging patron art at the Tolles Parsons Center, home of the Council on Aging (the Select Board had also received emails on the topic). Mark Maiden, a COA volunteer art co-ordinator, said more than 200 pieces of art by 30-plus Wellesley residents and COA patrons have been displayed in recent years. Concerns had been circulating ahead of the meeting about the current displays possibly having to be removed.

Select Board member Colette Aufranc, liaison to the COA, addressed the issue toward the end of the meeting. She said the Select Board was approached by the COA Board in 2024 to help with their policy on art displays in the Tolles Parsons Center; there had been some tension about how art from COA patrons and from outside bodies was being displayed. The Select Board in mid-2024 discussed the need to develop a building use policy, and voted at that point to only allow art created during COA classes at the Tolles Parsons Center pending development and adoption of a formal building use policy by the Select Board (the Tolles Parsons Center is under the care, custody, and control of the Select Board). The board’s policy subcommittee subsequently took up the issue of a building use policy and the board early last year shared feedback on a first read, said Aufranc, who added that at a high level there are complications in displaying art in government-owned buildings related to allowance for free speech. Work continues on the policy.

“We want to make sure we work with the building users, and the Council on Aging is one of them, to understand what is it that the Council on Aging would like to achieve in displaying art, what are they trying to do for their patron population, and we would try to work to develop a policy that does that,” Aufranc said.

Aufranc said she recently reminded COA leadership of the rules in place, and to keep the m in mind for future displays as the Select Board works on a building use policy. The Select Board is not asking the COA to remove any current art, nor has it talked about doing so, she said.

Also at the meeting:

  • The Town-wide Financial Plan has been posted to the town website. Board Chair Marjorie Freiman highlighted a change related to anticipated funding for design of the school air conditioning project. “In last year’s Town-wide Financial Plan the assumption was that the design would cost approximately $4m, and consistent with other funding decisions on design that funding might be dependent upon the outcome of a voter referendum at next year’s town election…” But the School Committee has opted to install window units, a less expensive approach with design estimates at $2m, and the Town-wide Financial Plan indicates a referendum is no longer assumed. At the end of FY26, the town will reassess how design might best be funded.
  • Executive Director Meghan Jop shared an update on the 2026 Annual Town Meeting warrant, which continues to shrink as articles are bundled into the consent agenda voted in one fell swoop and motions under other articles are pulled. That could mean for a shorter than usual meeting this spring.
  • Firefighter candidates were introduced and appointed.
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Filed Under: Business, Government, Seniors

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A 50-plus-year tradition: The All-Night Party for Wellesley High School seniors

March 13, 2026 by admin 2 Comments

On June 5, when Wellesley High School seniors toss their caps into the air on graduation day, one final celebration still awaits them.

For more than five decades, graduating seniors have gathered for the WHS All-Night Party, a tradition that gives the class one last chance to come together safely after commencement. Parents and volunteers from the graduating class organize and host the event as a gift to all graduates.

After their own family celebrations, seniors are dropped off at the high school at 10pm.for one final night together with their classmates. Inside, the school is transformed into a celebration space—with karaoke, casino tables, fortune tellers, a DJ,  dancing, games, food, and more—keeping hundreds of students entertained in a safe, supervised environment until festivities wrap up at 2am.

Months of behind-the-scenes planning make the night possible, and fundraising  is a community effort. On March 21, parents will host a March Madness–themed Parent Party at Rodgers Pub on the Babson College campus. This is the primary fundraiser supporting the All-Night Party. Attendees can purchase tournament brackets, enter raffles, and bid on silent auction items.

The All-Night Party continues to thrive thanks to the dedication of families, volunteers and the generosity of local businesses throughout Wellesley.  Roche Bros. in Linden Square will host its annual fundraising day on Monday, April 27, donating 5% of all sales between 10am and 2pm to the party. Later this spring, custom graduation lawn signs will appear across Wellesley, proudly celebrating each senior with a portion of proceeds donated to the All-Night Party by Old Town Publishing.

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Filed Under: Wellesley High School

Friday is Letters to the Editor day on The Swellesley Report

March 13, 2026 by admin

The Swellesley Report accepts letters to the editor. Letters must be of general local community interest and must be signed. Community shout-outs are also accepted and encouraged. For example, a non-profit may thank an organization for a donation received.

In letters this week

  • Select Board member Tom Ulfelder gives a big THANK YOU to “voters who participated in the March 3rd election”
  • The president and CEO of Goodwill writes “to thank the residents of Wellesley for demonstrating their community spirit and commitment to sustainability by donating nearly 300,000 pounds of clothing and household goods” in 2025.

See more letters here.

How to submit your letter to the editor

The deadline is Wednesday at noon for letters to appear that week, or a week further out. Send letters to the editor to theswellesleyreport@gmail.com

Submitting a letter to the editor does not guarantee that your letter will be posted on The Swellesley Report.

Letters must be written for The Swellesley Report only—we do not accept form-type letters sent to multiple news agencies.

Please review detailed guidelines for letters to the editor here.


Please send tips, photos, ideas to theswellesleyreport@gmail.com

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Wellesley sports: Celebrating high school nordic skiers; Group raising funds for varsity baseball scoreboard

March 12, 2026 by Bob Brown Leave a Comment

The latest Wellesley, Mass., sports news:
 

Celebrating Wellesley High School nordic skiers

 
The Wellesley High School boys’ nordic ski team won the Mass Bay Ski League East title, and the boys’ and girls’ teams won the combined league champion award. Seven Wellesley boys placed in the top ten of the league.

The skiers finished off the season at states, where the boys finished 6th and the girls 10th.

Parents shared thanks to the coaching staff of Mark Jacobson, Andy Milne, and Marshall Randolph.

nordic ski team boys

(Clockwise) Luca Buchbinder (9th place at Mass Bay Ski League East championship), Leo Ventimiglia (3rd place tie), Coach Mark Jacobson, William Carroll (10th place tie), Nico Buchbinder (6th place), Parker Lee (5th place), and Wyatt Park (3rd place tie). Not pictured, Cooper Munro (7th place).


 

Group raising funds for varsity baseball scoreboard

 
The non-profit Wellesley High School Baseball Diamond Club is running a raffle through April 3 to raise money to support the Wellesley High School Baseball program. The specific goal is to raise enough to purchase and install a scoreboard at the Sprague Varsity Baseball Field (the group has obtained town permission to run the raffle).

Currently, the score and innings can be a bit of a mystery to spectators at games unless they are paying close attention or using an app (the season is slated to start later this month).

The group is aiming to raise $15k through the raffle, which features a great list of prizes.

FINAL 2026 WELLESLEY BASEBALLRAFFLE FLYER

Sprague Fields are under the purview of the Wellesley School Committee, and Wellesley High baseball supporters say they are working through the town’s process to try to get permitting for a scoreboard. The topic has come up at the town’s Playing Fields Task Force, though the School Committee has not yet discussed the subject as a group and does not have the scoreboard on its work plan.

The Diamond Club seeks to raise funds so that it will be ready to go with a scoreboard purchase whenever it can get a green light from the town on the project.


 
Please send tips, photos, ideas to theswellesleyreport@gmail.com

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Filed Under: Sports, Wellesley High School

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Music

Castle of Our Skins presents multicultural string quartet at Wellesley College

March 12, 2026 by Iris Zhan 1 Comment

Castle of Our Skins performance concert at Wellesley College
 
On Sunday March 8 at Wellesley College‘s Jewett Auditorium, Castle of Our Skins presented a performance lecture of Derrick Skye’s “American Mirror” String Quartet that engaged audiences in cross-cultural music traditions. Part of the Wellesley College Concert Series, the performance involved audience participation, with attendees singing and clapping to support the musicians.

Castle of Our Skins, based in greater Boston, celebrates Black artistry through concerts and education. 

The event began with an introduction of Derrick Skye’s “American Mirror” by co-founder, artistic director, and violist of Castle of Our Skins Ashleigh Gordon, followed by guided demonstrations of different ornamentations and rhythms used in the two-part piece.

Castle of Our Skins performance concert at Wellesley College
Gordon opened event with a lecture about Derrick Skye and “American Mirror” (Photo by Iris Zhan)

 
Skye is a Black composer and musician known for integrating music traditions across cultures into his works. He passionately believes that music is a doorway to understanding other cultures and different ways of living. “American Mirror” reflects the coming together of cultures in our society, which consists of many generations and descendants of refugees, immigrants and enslaved people, and how intercultural collaborations are essential to the well being of American society. The piece draws inspiration from West African, Eastern European, Indian, and Middle Eastern music traditions as well as American genres such as gospel, jazz, and Appalachian folk music. 

The piece is divided into two parts, with the first featuring Bulgarian choral influences. Gordon invited the audience to softly hum in the first part and played the exact notes to hum on her viola. She also pointed out how the cellist Francesca uses her instrument as a percussive instrument, mimicking the sounds of various hand drums like the tabla, congo, or jembe. The quartet played small sections to allow the audience to practice their participation, then returned to talking about the piece.

Castle of Our Skins performance concert at Wellesley College
Violist Gordon plays notes that the audience was instructed to quietly hum (Photo by Iris Zhan)

 
The second part incorporated Indian rhythmic structures, like Adi Tala, an eight-beat cycle from South Indian classical music with specific hand gestures and claps to mark time. Gordon led a live demonstration of these gestures, followed by the string quartet playing the section where the claps take place. 

“We will mark the shape of the adita with our hands. So it’s a shared cultural practice highlighted in the piece all about communities coming together, cultures coming together. The Adi Tala is counted with four beats, Lahu, meaning on the fingers, and two Dru tons, which are clap and away.”

Castle of Our Skins performance concert at Wellesley College
Musicians show audience how to do the clapping rhythms (Photo by Iris Zhan)

 
Throughout her lecture, Gordon highlighted the different rhythms and melodies influenced by gospel, folk, and Turkish traditions, followed by short performances of the highlighted sections. 

Castle of Our Skins performance concert at Wellesley College
Gordon tells the audience about melodies and rhythms in the composition (Photo by Iris Zhan)

 
After the audience learned all the musical nuances and participation protocols, the quartet played the two-part piece in its entirety, leaving the audience in awe of how everything they learned from the lecture manifested in a cohesive and mesmerizing performance. The performance was a beautiful fusion of traditional music melodies across the world, truly distinct from your average western classical chamber music performance. 

Castle of Our Skins performance concert at Wellesley College
Photo by Iris Zhan
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Filed Under: Music, Wellesley College

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